Battle of Panipat 1761

Battle of Panipat 1761

Pages

Tuesday, July 4, 2023

                                                                         

The Dispatch

                                                                        

Breaking News, Aaj ki taaza Khabar, Seen Exclusively on our channel etc. 


                                             

These are the headlines which we are used to today. This is the 21st century. Here

 news travels with the speed of light, as and how an event is unfolding, anywhere in

 the world. Before this media onslaught were the radio announcements and the

 print media, which is still popular. Most of us are well informed about how we

 received news and letters personal and professional in the last century. But how

 was it in the centuries before? How did messages reach from one end to the other?

 What was the means by which they were sent? Who were these messengers and

 what were they known as in the past? These and many similar questions arose in

 my mind when I looked at an old letter of the 17th century. My readings took me

 back to the times of Indian Mythology. This is an attempt to walk through the

 various stages of the development of the Dispatch.

There has always been a need for communication, a desire to share events and

 deeds with fellow associates. If we look at Indian Mythology, we find many

 references of emissaries taking and bringing back news and messages. The Epics

 Ramayan and Mahabharat are dotted with stories relating to these emissaries. Let

 us look at a few examples.

                                      

                                                




1. Jatayu awaits Ram in an injured condition to give him the news of Sita being

 abducted.

2. Hanuman being sent as emissary to convey messages to Lanka.

3. The swan as messenger from Prince Nal to Damayanti.

4. Sanjay relating the exact unfolding of the war between Kaurav and Pandav in the

 Mahabharata.

5.  Chanakya Arthashastra mentions Doots, for messages/collection of revenue and

 doubling up as spies.

6.In the Atharvaveda message carriers were known as Palagala.

7. Pigeons were then and are even now used as carriers in remote areas.

8. Camels were used in Rajasthan and arid areas of Orissa, Jajanagar, etc. by

 Emperor Ashoka in 4th Cent. BC.

9. Horses were used as carriers for military purposes.

10. The earliest reference is during the reign of Chandra Gupta Maurya (322 – 298

 BC), of message delivery, gathering of intelligence, revenue collection, etc, by Doots

 (emissaries) and pigeons.

10th century BC onwards the dispatching of posts can be divided roughly into 4 periods.

1. Pre Mughal.

2. Mughal

3. Maratha

4. British

1. Pre Mughal 1030 CE onwards

Each Ruler had his own postal system.

a) Mahmud of Ghazni:

Names of messengers were according to their post.

Sarran – Intelligence gathering.

Khail Sarran – Horse Couriers for urgent directives.

Askudars – Mounted courier service.

Sahib – I – Barid – Postal head for each province.

b) Mohammad Ghori:

Jamaza – Camel riding couriers.

c) Qutub ud din Aibak:

Dak Chowki’s – Expansion of Postal service.

d) Gengizkhan and the Mongol invasion:

Yam – messengers who worked as a relay team.

Horse Post House – these were established every 25 miles. They acted as

 intermediary posts which were also used as sleeping quarters for Imperial foot

 soldiers. They were furnished with bells on their girdle and were essentially relay

 runners.

e) Allauddin Khilji:

Improved courier system. The postal routes had rest houses or Sarais, markets,

 wells and mosques. Guides along the way provided directions for speedy deliveries.

 Ibn Batuta, the explorer and scholar, mentions the postal system as Barid. There

 were 2 types of Barid.

Barid-I-Khail was the House post

Barid-I-Rajalah was the Foot post

Dhawah were Postal stations

f) Sikand Lodhi:

Dak Chowki’s, runners and horse post continued in his reign.

2) Mughal period

This period is known as the turning point of Postal Systems, making it a Unified

 Communication System. Evolution of the system can be credited to Sher Shah Suri.

 Primary in this was the laying of roads and administrative reforms. The beginning

 of colonial post lay in the Mughal postal system. The colonial rule brought the

 country under one postal structure.

a) Sher Shah Suri:

The Suri Dynasty came from Pashtun and cannot be come under the Mughal period.

 However, it was a boon for the postal industry. In this period, was laid the

 foundation of a Mounted horse post, which also extended to the traders. It is the

 first known record of the postal system for trade and business purpose. This was

 between 1540-1545.

b) Babur:

His contribution was to construct:

Char Dwari’s – watch Towers

Dargah-i-Dak Chowki – for intelligence and posts.

A post runners journey began with a written permission signed by the Darogah-I-

Dak Chowki, which made it mandatory for the Darogah and Farydar to provide a

 safe journey. The permits were signed by Sawanih-Navis. All of them were on the

 payroll of the state.

c) Humayun:

The same postal process continued in Humayun’s period.

d) Akbar:

He revamped the Mansubdari system.

The Chief Darogah or Postmaster served the dual needs of espionage and

 administration.

Nazir took charge at the pargana level.

Ferishta another scholar has noted that there were 4000 mail runners on

 permanent pay. They were exceptional, even travelling 700 kos in 10 days,

 communicating urgent messages.

Harkara was of the lowest rank in postal administration. He not only carried mail

 but also gave reports to the governor of the province. The letters were carried in a

 gilded box on the head.

Important mail that was carried was:

·        Farmans, (Royal Orders)

·        Shuqque, (Emperors letters to a specific person)

·        Nishan, (Letter from a Prince or a Royal person)

·        Mas-Ul-Hukum, (a letter by a minister with orders from the Emperor)

·        Sanad, (Letter of appointment)

·        Parwanaah, (an order to a subordinate officer)

·        Dasstak, (short official permit).

e) Jahangir:

He speeded up the mail runner system by building more roads with speed of

 delivery at 80 kos in a day.

f) Shahjahan:

Continued the same system.

Raja Chuk Deo of Mysore from Southern India too had an efficient postal service in

 1672 which was improved upon by Haider Ali.

g) Aurangazeb:

Stricter rules were implemented. The postal runners were bound by structures. If a

 runner did not reach 2 miles in an hour, a penalty of cutting a quarter of his salary

 was imposed.

3) Marathas:

By and large a similar system of Postal services was followed.

 Sending and receiving mail was not a public endeavor.

Jasud - (Couriers / Messengers). They were employed to deliver official letters. The

 Sardars and Sahukars had their own Jasud. With their Masters mail, the Jasud

 would also take correspondence from the general public.

Harkare and Kashid - (Lackey, Poster). They were runners carrying mail. They were

 helped by the Patil and Kulkarni of the area. Mail was taken from Pune to far

 destinations like Calcutta, Srirangapattam, Arcot, Delhi, etc.

 The distances were vast. They had to cross rivers, mountains and jungles. Incase of

 ill health, or adversities. If a messenger was intercepted by enemies, the system was

 to send 2 messengers or couriers by different routes so that atleast one of them

 delivered. Just like Pune, each capital had their own Harkare, Jasud and Kashid.

Depending on the distance travelled between two destinations, the time of travelling

 was fixed. If the Harkara did not reach on time his wages were cut., but if he

 reached before the allotted time, he was given a bonus.

A letter sent from Pune to Delhi to a Balaji Mahadev in 1753-54, its was noted that

 “If the harkara delivers the letter on the 16th day, he is to be given an equivalent of

 Rs. 50/-, 17th day, Rs.40/-, 18th day, Rs. 30/- and if he reached on the 19th day,

 then he was not to be remunerated.”

The distance between Pune to Delhi is approximately 1470 Kms. So going by the

 distance and time to reach, the Harkara would have to travel 75 kms everyday on

 horseback. The messenger travelled on mud roads and in places there were no

 roads, crossing mountains, jungles, and rivers. There were no highways

, expressways, or motels. It was not always possible to find a village by nightfall. The

 man and his horse would often get tired.

These Harkare, Jasud and Horsemen were screened for their fitness. They had to be

 fast runners, expert horsemen with healthy bodies. It was a tough job but the

 incentive of a good pay and bonus at the end was worth the effort. They were also

 completely loyal to their Masters.

Major Browton has praised these Harkare, saying they are intelligent and sprightly.

Aside of delivering mail they would also gather information. There remuneration

 was equivalent to Rs.3/- a day. Such Jasud, Harkare and Kashid were in thousands

 all over the country.

The spread of fake or elusive news just as it is even now, was also spread on

 purpose. In the Maratha period, we find plans shared of the Maratha warriors

 going on a certain route. When the enemy was prepared to to ambush them, the

 Marathas reached their destination from another route.

In the later Peshwa period, Nana Phadnis reorganized the Postal Service, making it

 more efficient. His reporters were spread far and wide and he could receive news in

 a very short time. As relations between the Maratha Kingdom and the English,

 French and Portuguese grew, Nana Phadnis was able to get information from far

 off places like Calcutta, Pondichery, Mumbai, etc. He was well informed about the

 movements of the British and the French even outside of Hindustan. The news for

 example about General Bussey reaching Mauritius with an army and the Dutch and

 French being enemies of the British was known to him. He had an efficient spy

 system in every corner of Hindustan. These were mainly Telang Brahmins,

 Gosavi’s, Hermits, etc.

Under the British, the Postal System underwent complete modernization. The

 System as it stands today has over the years adapted to digitization, but by and

 large the foundation remains the same.

This article is an attempt to bring into the limelight, those sturdy men who inspite

 of adversities and dangers forged ahead delivering messages and information.

We would have been in the dark regarding our past if the letters, the scrolls, the

 information which was passed on by them had not been delivered.

                                                    

                                         

Reference: Dr. Babita Tyagi. International Journal of Education Science and 
                                               Research.
                   Dr. Anshu Tyagi, Assistant Dir, Research Mewar University.

                   Peshwekaleen Maharashtra by Vasudev Krushna Bhave.

Images:     Google Chrome Images.

Thursday, August 31, 2017

The Peshwa's Ganesh Ghat at Varanasi

Ganesh and Raja Ghat Varanasi


Gently flows the Ganges, confident in her beauty,
Her waters reach the steps of the ghats,
Calling out to her devotees, 'Come wash your sins' 
Bathe in my waters, swim across to my opposite shore,
With my sister the Yamuna, we flow together,
I am in Yamuna and Yamuna is in me, 
We pass as one, in the sacred town of Varanasi.

There is a right time to write a particular post and what better time than today!! So on this day 29th of August 2017 ( рднाрдж्рд░рдкрдж  рд╢ुрдХ्рд▓рдкрдХ्рд╖  8, рд╢рдХे  1939), I pen my thoughts on the Ganesh and Raja ( Annapurna) Ghat at Varanasi.

In 1803, a treaty was signed between the East India Company and Amrutrao Peshwa, the son of Raghunathrao alias Raghobharari, to leave Pune forever. He made Varanasi or Kashi his home in 1805. 





Amrutrao wanted to build a Annachhatra (a place where students and travelling Brahmins could rest and were provided with meals), and build a Ganesh temple on the shores of the ganges. Many places were looked at, but finally a place near Agneshwar Ghat was chosen as the right site to build the temple. This lies next to the Bhosle mandir and was owned by the Nagara Brahmins. Amrutrao bought the land from them and the temple was completed in 1807. It is made of red sandstone.
 The Ganesha idol was installed on 11th June 1807 ( рдк्рд░рднाрд╡  рдиाрдо  рд╕ंрд╡рдд्рд╕рд░  рдЬ्рдпेрд╖्рда рд╢ुрдж्рдз  рд╢рдХे 1729), and the deity was named Amrut Vinayak. The temple is built following the ancient rules of architecture. 





The рдк्рд░рджрдХ्рд╖िрдгा рдкрде  (Circumambulation path), the рд╕рднाрдоंрдбрдк  ( prayer hall), рдЧрд░्рднрдЧृрд╣ (sanctum sanctorum) and the рдУрд╡рд░ी  (parapet) is typical of Maharashtra temple construction. The parapet area was used to house devotees.

 A huge terrace outside the sabha mandap faces the ganges. on either side of the terrace are two Meghadambari (Canopies), The Meghadambari architecture is Rajasthani. 
The landscape looking out from here is exquisite. The gently flowing ganges brings a sense of peace and serenity. The temple is east facing, hence the rising sun's rays fall on  the Ganesh idol. This vision is spectacular.
Above the temple area is the accomodation. The administrator of the trust in recent years lived there. 
The Trustees (Descendants of Amrutrao saheb Peshwa), when visiting also live here and their accommodation is separate in the Chitrashala. Only the Priest, Administrator and the Trustees are allowed entrance in the sanctum sanctorum.


                                                                       

 

The description of the idol is given in detail by Iconographer Dr. N.P Joshi and the Marathi translation by the eminent Archeologist and Indologist Dr. G.B. Deglurkar.
 The idol and his asan (seat) is made of a rare orangish marble. It is because of this peculiar colour, that the people of Varanasi and surrounding areas believed that the idol was made of coral. Since then the idol has come to be known as 'Munga Ganesh'. (Munga = Coral). 
The simple yet beautiful idol is 45 x 30 cms and is Chaturbhuj ( with four hands). His trunk is slightly curved towards the left. He sits on a 22 petalled open lotus with his legs folded. He is also known as Ekadanta and like the Ekadanta, he has one tusk which is half broken. He does not wear a crown an at the back of his head is a shendi (lock of hair). He seems to be wearing a dhotar (dhoti). the yadnopavit or janeyu is a serpent tied in a knot with the serpents mouth and tail. Ganesha's ears have holes at the top and on his earlobes, in which ornaments can be placed during the Utsav. The left palm is in Abhaymudra, whilst the right, is placed in such a way that a modak can be placed in it. The form of the idol is in round formation.

The Shakti's of Ganesha, Riddhi and Siddhi, are sculpted in typical maharashtrian style and on either side.The original idols were of pure white marble but with the passage of time they had to be replaced, the Khopa (headdress), their style of draping the nine yards are typical of Maharastra. 

His Vahan (carrier), the mouse sits in front of him. The size is rather large 41 x 30 cms. and is made of the same orangish marble. The mouse is seated on his hind legs, whilst his front paws are joint, holding a ladu (sweetmeat)
Aside of this there is a four wheeled chariot to which 2 mice are attached. The chariot is placed on a lotus. The charioteer has a head gear which is reminiscent of the area.

To carry out the  daily duties certain people were appointed. There was 1 Pujari (head priest), 2 pupils, 1 main Administrator, 1 head Accountant and 4 guards. The pupils were in charge of bringing water from the ganges and all the preparation for the Puja, which was performed twice a day. This worship included Mahapuja, рдиैрд╡ैрдж्рдп (offering of food) to the deity, afternoon offering of sugar and fruit and puja in the evening, with incense burning etc. 
Ganesh Chaturthi (Bhadrapath shuddha), was the main yearly Utsav. During the course of the utsav, Mahapuja, Ganesha's birth story, Reading of Ganesh Puran, Vasant Puja, Classical music oral and instrumental were performed. 
In the winter months the idol was bathed with warm water and was clothed in warm wear.
It was on the same day that a temple of Goddess Annapurna, a Shivalaya, and the Annachhatra was built on the Narada Ghat, which is beyond Dashashwamedh ghat and next to Hindu Vidyapeeth. At the time, food was cooked to feed 1000 Brahmins in the Annachhatra.
 Both these temples completed 200 years on the 18th of June 2007Vinayaki Chaturthi, Monday). 






Today the Ganesh temple and the Annapurna temple and Raja Ghat stand tall in spite of all adversity. The customs and rituals laid down by our ancestors, continue to be followed. It is a private trust. The Trustees of which are descendants of Amrutrao Peshwa.
Leaving aside the period of unrest in 1857, never once has there been a break in the worship of Ganesha and the Utsav held in his honour.
 It continues to this day.

References: рдкेрд╢рд╡े рдШрд░ाрдг्рдпाрдЪा рдЗрддिрд╣ाрд╕ рднाрдЧ рез, рд▓ेрдЦрдХ -  рдк्рд░рдоोрдж рдУрдХ 
                     An article written by late Shrimant Krishnarao Peshwa
                     Shri Amrut Vinayak and Shri Annapurna Devasthan, Smaranika, 2007

Thursday, June 30, 2016

Peek into AnandAshram

AnandAshram...Pune



Bajirao road at the Appa Balwant Chowk end is a busy one. Traffic snarls, honking vehicles, pedestrians walking, hand carts selling their wares, all find their niche here.

Nestled amongst all the shops and vendors lies an old structure which can easily be overlooked from the crowded street. Only if you stop in front of it can you see the facade of the building.


Anand Ashram

Inside, looking out of the Ashram


The Main  Gate

A huge gate beckons you to go inside. As you enter the portals, a calmness descends over you. Gone is the feeling of being in a rat race, of the need of being constantly on the move, of being continuously pressed for time. Time seems to stand still.

I remember visiting this place as a kid, with my Grandfather. Remember him explaining how illustrious this place was. As like most children, I had not given it much thought, forgetting about it, as I grew up. Recent conversations with my mother brought about the relation of Anand Ashram with me.

The famous Author of the time, Shree Hari Narayan Apte, lived here. It was here that he wrote books like: Pan Lakshaat Kon Gheto in 1890 which is considered a classic in Marathi fiction.  Jug He Ase Ahe (1901), Yashwantrao Khare (1906), Mi (1916), Ganpatrao (1919), Karmayog (1923), Mayecha Bajaar (1929), Bhayankar Divya (1930). These were however published in book form posthumously.

His first historical novel Mysore cha Waagh was based on Meadows Taylor’s “Tipu Sultan.” He then published historical novels like Gadh Aala Pan Sinha Gela (1904), Chandragupta (1905), Roopnagarchi Rajkanya (19009), Vajraaghaat (1915), Suryoday (1917), Kewal Swarajyaasathi (1918) Suryagrahan (1919). Although fictional, these novels exhibit his keen knowledge of historical details.


Hari Narayan Apte


Lodging of Hari Narayan Apte


His uncle and the founder of the Institution was Mahadev Chimaji Apte. A prominent lawyer, at the Bombay (Mumbai) High Court, who had fought the case of the freedom fighter Vasudev Balwant Phadke. The Institution was formed by him in 1885. Instead of distributing his wealth amongst relatives, he formed a Charitable trust, which is AnandAshram.

Mahadev Chimaji Apte

The Ashram has rooms for 20 students whose financial position is strained. Out of these, 8 to 10 students are admitted free of cost.

Hostel

   

Hostel Rooms

Aside of this, space is given for holding classes in the Sanskrit language. The main reason being the spread of the language which is slowly dying.

This is the 130th year of the Institution. In all these years there has not been a single day when work has stalled. Work on the spread of Sanskrit. Work on the preservation of rare manuscripts. Time consuming and taxing it is, but is carried on relentlessly by dedicated people. I spoke to Mrs. Mane, who was working on the Dnyaneshwari. the pride in which she showed me her work was to be seen to believe. 


Mrs. Mane


The Ground floor is the Manuscript section

13500 rare Manuscripts have been compiled which were  collected from all over India. The distinctive feature of these manuscripts is that they are all beautifully hand written. They number over one lakh and more.





Manuscripts

The pictures in these have natural colours. Rare as these manuscripts are, they have been treated with utmost care. So far digitization of all the manuscripts is complete. As new manuscripts are found, the work on their preservation continues.






It can be said that if any University or Math (рдорда ) from across India, ie. from Kanyakumari to the Himalayas need reference for the study of Dharma in Sanskrit, this is the right place to come. The Anand Ashram has the capability for providing books required for such studies. For just such a purpose 195 books have been published. 

The numbers speak for themselves. 13,500 hand written Manuscripts covering 26 different subjects. They range from "Alankar Sahitya, Kavya, Mahakavya, Laghukavya, Kavya Katha, Kavya Natak, Neeti, Nyaya, Purana, Ramayan, Mahabharat, The Geeta, Bhagwat Geeta, Dharmashastra, Smriti, Upanishads, Kaamshastra", the list is endless. All these are in Sanskrit. There is a huge demand for these from countries like Germany and others. A lot of foreign students come here to avail of the facilities provided for their research.


                                                

                                                


Markandeya Puran

Aside of this there is Jyotish Shastra and Board games.





The Digitisation of Manuscripts was completed with the help of The National Mission For Manuscripts.  

On the Second floor of the main building is the temple of Shiva. Festivals like Mahashivratri, Tripuri Poornima, Laghurudra Pooja are all held here.




Staircase leading to the temple


Doors open into the balcony

The Sabha Mandap

Shivling

View from the Balcony

The drops of water which fall on the Shivling, then fall on to the Paduka of Mahadev Chimaji Apte, whose Samadhi is on the ground floor in the Manuscripts department.

The Paduka

The Samadhi Sthal

As I visited the temple, I could hear a continuous recitation of Shlokas. After inquiring, I came to know that these were composed by Shankaracharya himself. I just sat there completely at peace while the shlok played on. Looking around the Sabha mandap, I noticed that each pillar had a different sculpture on it. The simple pillar was adorned with beautiful artistic work.





The Peacock

The Garud
To keep this structure intact and its Rare Literature rot free, the use of wood has been completely eliminated. The whole structure is in Stone and Iron.

The Ashram does not receive any grants from the Government. It solely runs on donations and rent from a bungalow on Sinhagad and on the interest of savings.
I was informed by the Administrator, Mr. Vasant Apte, that almost a Lakh of Rupees is spent only for the maintenance and upkeep of the Ashram.
The Ashram celebrated its 129th year on the 3rd of June this year. This 19th century marvel has remained intact and exactly as it was, those many years ago.

Before leaving I clicked some more pictures of this wonderful Ashram, vowing to myself that I will visit again.


Building at the entrance

Office Space

Top of the Temple

Coconut Palms





Courtesy:  Mr. Vasant Apte. Administrator. 
                   Mr. Vilas Salunke: excerpts from his translation
                   Mrs. Mane for showing me the manuscripts
                   Anand Ashram administrators for permission to take Photographs.